{"id":157,"date":"2013-09-24T02:46:03","date_gmt":"2013-09-24T02:46:03","guid":{"rendered":"http:\/\/gamesandnarrative.net\/icids2013\/?page_id=157"},"modified":"2013-10-29T09:34:55","modified_gmt":"2013-10-29T09:34:55","slug":"accepted-contributions","status":"publish","type":"page","link":"http:\/\/gamesandnarrative.net\/icids2013\/accepted-contributions","title":{"rendered":"Accepted Contributions"},"content":{"rendered":"

Papers and Posters<\/strong><\/p>\n

Models, Theories and Vocabulary<\/strong><\/h2>\n

Byung-Chull Bae, Yun-Gyung Cheong and Daniel Vella<\/strong>\u00a0– Modeling Foreshadowing in Narrative Comprehension for Sentimental Readers
\nLuis Emilio Bruni and Sarune Baceviciute<\/strong>\u00a0– Narrative Intelligibility and Closure in Interactive Systems
\nStacey Mason<\/strong>\u00a0– On Games and Links: Extending the Vocabulary of Agency and Immersion in Interactive Narratives
\nAltu\u011f I\u015f\u0131\u011fan<\/strong>\u00a0– The Audio-Visual Construction of Narrative Space in Video Games
\nIvan Girina<\/strong>\u00a0– Video Game Mise-en-scene. Remediation of cinematic codes in video games
\nHartmut Koenitz, Mads Haahr, Gabriele Ferri, Digdem Sezen and Tonguc Ibrahim Sezen<\/strong>\u00a0– Mapping the Evolving Space of Interactive Digital Narrative – From Artifacts to Categorizations
\nSebastian Hurup Bevensee and Henrik Schoenau-Fog<\/strong>\u00a0– Conceptualizing Productive Interactivity in Emergent Narratives
\nJohn Truesdale, Sandy Louchart, Helen Hastie and Ruth Aylett<\/strong>\u00a0– Suitability of Modelling Context for use within Emergent Narrative<\/p>\n

Applications and Authoring Tools<\/strong><\/h2>\n

Wolfgang M\u00fcller, Ulrike Spierling and Claudia Stockhausen<\/strong>\u00a0– Production and Delivery of Interactive Narratives Based on Video Snippets
\nAlex Mitchell and Teong Leong Chuah<\/strong>\u00a0– Telling Stories on the Go: Lessons From a Mobile Thematic Storytelling System
\nMichal B\u00edda, Martin \u010cern\u00fd and Cyril Brom<\/strong>\u00a0– Towards Automatic Story Clustering for Interactive Narrative Authoring
\nHartmut Koenitz, Tonguc Ibrahim Sezen and Digdem Sezen<\/strong>\u00a0– Breaking Points – A Continuously Developing Interactive Digital Narrative
\nMichael Garber-Barron and Mei Si<\/strong>\u00a0–\u00a0The Role of Gender And Age on User Preferences in\u00a0Narrative Experiences
\nPaul Mulholland, Annika Wolff, Zdenek Zdrahal, Ning Li and Joe Corneli<\/strong>\u00a0– Constructing and connecting storylines to tell museum stories
\nMartin Zimper, Nico Lypitkas, Marc Lepetit and Nina Thoenen<\/strong>\u00a0– Night Shifts \u2013 an interactive documentary for the iPad
\nMichal B\u00edda, Martin \u010cern\u00fd and Cyril Brom<\/strong>\u00a0– SimDate3D – Level Two<\/p>\n

Analyses, Evaluation, and User Experience Reports<\/b><\/h2>\n

Mari\u00ebt Theune, Jeroen Linssen and Thijs Alofs<\/strong>\u00a0– Acting, Playing or Talking about the Story: An Annotation Scheme for Communication during Interactive Digital Storytelling
\nSharon Lynn Chu, Francis Quek and Joshua Tanenbaum<\/strong>\u00a0– Performative Authoring: Nurturing Storytelling in Children through Imaginative Enactment
\nMiika Pirtola, Yun-Gyung Cheong and Mark J. Nelson<\/strong>\u00a0– Player Perspectives to Unexplained Agency-Related Incoherence
\nChristian Roth and Ivar Vermeulen<\/strong>\u00a0– Breaching Interactive Storytelling’s Implicit Agreement: A Content Analysis of Fa\u00e7ade User Behaviors
\nGabriele Ferri<\/strong>\u00a0– Satire, Propaganda, Play, Storytelling. Notes on Critical Interactive Digital Narratives
\nSercan \u015eeng\u00fcn<\/strong>\u00a0– Silent Hill 2 and the Curious Case of Invisible Agency
\nArne Grinder-Hansen and Henrik Schoenau-Fog<\/strong>\u00a0– The Elements of a Narrative Environment – Exploring User Reactions in Relation to Game Elements<\/p>\n

Artificial Intelligence and Story Generation<\/h2>\n

Elena Rishes, Stephanie Lukin, David Elson and Marilyn Walker<\/strong>\u00a0– Generating Different Story Tellings from Semantic Representations of Narrative
\nNeil Suttie, Sandy Louchart, Theo Lim and Ruth Aylett<\/strong>\u00a0– Theoretical Considerations towards Authoring Emergent Narrative
\nMargaret Sarlej and Malcolm Ryan<\/strong>\u00a0– Generating Stories with Morals
\nPaulo Gomes, Ana Paiva, Carlos Martinho and Arnav Jhala<\/strong>\u00a0– Metrics for Character Believability in Interactive Narrative
\nLarissa Munishkina, Jennifer Parrish and Marilyn Walker<\/strong>\u00a0– Fully-Automatic Interactive Story Design from Film Scripts<\/p>\n

New Narrative Forms<\/h2>\n

Clinton Jorge, Julian Hanna, Valentina Nisi, Nuno Nunes, Miguel Caldeira, Giovanni Innella and Amanda Marinho<\/strong>\u00a0– Storytelling and the Use of Social Media in Digital Art Installations
\nAndreas Zingerle and Linda Kronman<\/strong>\u00a0– Faceless patrons \u2013 an augmented installation exploring 419-fictional narratives
\nHelena Maritta<\/strong>\u00a0– Minun Helsinkini\/My Helsinki\/Wa Magaaleydi Helsinki – Finnish Somali Youth Speak for Themselves in Their Document Film
\nAndreas Zingerle and Linda Kronman<\/strong>\u00a0– Re: Dakar Arts Festival \u2013 \u00a0exploring transmedia storytelling methods \u00a0to document an Internet scam
\nRossana Damiano and Antonio Lieto<\/strong>\u00a0– Building narrative connections among media objects in cultural heritage repositories
\nYujie Zhu and Jichen Zhu<\/strong>\u00a0– StoryJam: Supporting Collective Storytelling with Game Mechanics<\/p>\n

Exhibition<\/strong><\/p>\n

Morning Coffee – <\/strong>Animal Phase –\u00a0Charles Elwonger &\u00a0Audio: Jocelyn Reyes<\/p>\n

Tones: I’m Touched –<\/strong>H\u00fclya Aktun<\/p>\n

Sneaky Time –\u00a0<\/strong>\u00d6zge Samanc\u0131 and\u00a0Blacki Li Rudi Migliozzi<\/p>\n

CAVE! CAVE! DEUS VIDET –<\/strong>\u00a0We Are M\u00fcesli –\u00a0Claudia Molinari & Matteo Pozzi<\/p>\n

Monochroma –\u00a0<\/strong>Nowhere Studios –\u00a0Burak Tezate\u015fer & Or\u00e7un Ni\u015fli<\/p>\n

Evolution<\/strong> – \u00a0Johannes Held\u00e9n and H\u00e5kan Jonson<\/p>\n

Travelle<\/strong>r –\u00a0Ruth Aylett, Asad Nazir, Christopher Ritter, Mei Yii Lim: Heriot-Watt University, UK,\u00a0Felix Kistler: Augsburg University, Germany,\u00a0Samuel Mascarenhas, Ana Paiva: INESC-ID, Portugal,\u00a0Nick Degens, Gert Jan Hofstede: Wageningen University, the Netherlands,\u00a0Aleksandra Swiderska, Arvid Kappas: Jacobs University, Germany<\/p>\n

Breaking Points –\u00a0<\/strong>Di\u011fdem Sezen, Hartmut Koenitz, Tongu\u00e7 \u0130brahim Sezen<\/p>\n

Ice-Bound \u00a0–\u00a0<\/strong>Jacob Garbe and Aaron Reed<\/p>\n

Interactive Hopscotch –\u00a0<\/strong>Reha Di\u015f\u00e7io\u011flu<\/p>\n

Points of View<\/strong>– Zohar Kifir<\/b><\/p>\n

Poe’s Tell Tale Heart Embodying Narrative through Mobile Play<\/strong> – Macabros Games, San Francisco, California, Lindsay Grace, Associate Professor, American University, James Cox, Miami University, Tristan Carkuff, Miami University, Steven Harvey, Miami University, Derek Rumpler, Miami University<\/p>\n

HOYTAMO.COM\u00a0–\u00a0<\/strong>Altti N\u00e4si<\/p>\n

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Papers and Posters Models, Theories and Vocabulary Byung-Chull Bae, Yun-Gyung Cheong and Daniel Vella\u00a0– Modeling Foreshadowing in Narrative Comprehension for Sentimental Readers Luis Emilio Bruni and Sarune Baceviciute\u00a0– Narrative Intelligibility and Closure in Interactive Systems Stacey Mason\u00a0– On Games and … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":6,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-157","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/gamesandnarrative.net\/icids2013\/wp-json\/wp\/v2\/pages\/157","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/gamesandnarrative.net\/icids2013\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/gamesandnarrative.net\/icids2013\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/gamesandnarrative.net\/icids2013\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"http:\/\/gamesandnarrative.net\/icids2013\/wp-json\/wp\/v2\/comments?post=157"}],"version-history":[{"count":9,"href":"http:\/\/gamesandnarrative.net\/icids2013\/wp-json\/wp\/v2\/pages\/157\/revisions"}],"predecessor-version":[{"id":352,"href":"http:\/\/gamesandnarrative.net\/icids2013\/wp-json\/wp\/v2\/pages\/157\/revisions\/352"}],"wp:attachment":[{"href":"http:\/\/gamesandnarrative.net\/icids2013\/wp-json\/wp\/v2\/media?parent=157"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}